The route in Tahar Djaout’s Expropriated. Generic reading of discursive voices

Abstract

The stirring of voices, the aesthetics of speech production, the explosion of genres, the ‘I’ that is based on graphics, the works of Taher Djaout characterise what is at stake in contemporary literature. In this sense, the poetics of theatricality becomes the notion that gives the work its singularity. This poetics highlights a speculative quest focused on the problematic relation with language
and History. This work includes its own development, we shall question the validity of generic taxonomy and the subject place in relation to his word.